Shawn Mackey
An accomplished gallery artist from Hawaii to London, Mackey’s painting reflects a unique style of impressionism, with abstract and renaissance techniques. When you view his work up close, you will be mesmerized by the incredible textures and color blending rarely seen in the art world today.
Discerning art collectors and passionate art enthusiasts hold Mackey’s works in high esteem, valuing their ability to evoke deep emotional connections while offering a timeless blend of technical mastery and creative expression.
Please read his bio below.
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Shawn Mackey Bio
Shawn Mackey was born on August 11, 1984 in Edmonton, Canada. Growing up in the long cold winters of Canada, he had ample time to draw and let his creativity flourish. Mackey’s parents, who were both teachers,would bring home boxes of scrap photocopy paper for him to draw on. He would cover hundreds of sheets with pictures of everything from Italian sports cars, to the elaborate floor plans of luxury mansions, to a variety of superheroes and cartoon characters pulled from his own imagination.
From a young age, Mackey’s talent was evident and this was paired with a growing entrepreneurial spirit. At the age of eight, he was already collecting payments from his classmates for hand drawn pictures of cars. At this time he was no stranger to causing a stir with his art. He received lectures from his teachers for sneaking into the school bathrooms at recess to run his own “tattoo shop”. There he would ink his friends’ arms with colored markers. As he progressed into high school, he became increasingly bored with classes and more interested in filling his notebooks with drawings and sketches.
After graduation, Mackey decided to put his artistic talents on hold. He began to pursue university studies with the goal of becoming a lawyer. After a year of classes filled with politics, economics, and essay writing, he longed for a change. Mackey realized that the need to create, which boiled deep inside him, could not be contained. After taking a summer art course he realized his passion lied in putting pigment on canvas and he transferred to the university’s fine arts program to study painting.
On speaking of this transition, Mackey has said, “I had considered entering an architecture or design program, but then I realized that the canvas was the one place where my creativity would be totally free. I could create whatever kind of building, object or scene I wanted, whenever I wanted.” The ability to tell a story, and invoke a deep emotional response with his creations only increased his attraction to painting.
While completing his Bachelors of Fine Arts, Mackey was drawn the power of an expressive style of art. He dove headfirst into the world of abstraction. Experimenting with a variety of mediums including oil and acrylic paint, polymer mediums, and even earth, Mackey searched for a way to breathe new life into a thirty thousand year old art form.
After graduating, Mackey pursued a few random jobs and eventually returned to school to become an art teacher. It was during this time that he began the journey of what he considers his biggest artistic growth. On his evenings and weekends, he began to study the work of the great masters of art history. Starting with the impressionists and working his way backwards several centuries in time, he put his own twist on the techniques of the great artists that came before him.
Mackey’s dramatic artwork evokes strong feelings of enjoying the greatest pleasures that life has to offer. Each painting combines figurative imagery with evocative movement and brushwork. These two elements combine and contrast to create a truly sensational experience.
Artist’s Statement
My work combines figurative realism with abstract expressionism. I choose subjects and techniques that reinforce each other. The figurative element of my work is designed to call on memories while the abstract elements are designed to evoke emotion. I feel that the contrast and complementary nature of these two styles combine to create a cohesive whole that brings the viewer to a time and place, both in their mind and their emotions. The layering, additive, and subtractive techniques that I use are designed to create a sense of timelessness in the painting. I am often combining vintage imagery with a contemporary application. This further obscures the time and place that the painting appears to have been created. I seek to create images that look like they were both made today and a hundred years ago. I use techniques that involve scraping and creating the appearance of weathering to further unfocus the place in time of these pieces. The contrast between the figurative and abstract is in a constant state of flux, and the techniques I use are constantly evolving. The two styles both inspire and inform each other and lead to new directions and discoveries.